Read the other posts in this series here
In our last post we saw Alexander’s army rebel against their king for the first time. Despite none other than Craterus speaking out against him, the king won the day – just. The leaders of the ‘revolt’ were executed and the army moved on. But, as the elder Ptolemy tells us in the voice over, the king ‘was no longer loved by all’.
- Aristotle’s Letter
- The Battle of the Hydaspes River
In real life, the Macedonian army’s rebellion took place on the Hyphasis River. Oliver Stone places it much further west. We know this because they haven’t reached Porus on the Hydaspes River yet. Despite that, the elder Ptolemy tells us that the army were marching south to the ocean.
After an evocative scene of the Macedonians, sarissas upturned, marching against a pale sky, we join them in an Indian forest during the Monsoon season. Rain, rain, and yet more bloody rain.
The scene proper begins with Aristotle dictating a letter to Alexander in which he warns him about taking on ‘eastern ways’. I liked the juxtaposition of Aristotle in his cloak set against a cold, austere sky and Alexander, topless and looking a little debauched in his tent.
Aristotle expresses his hope that Alexander will remain the (inquisitive) boy that the philosopher once taught. By the king’s expression, though, that boy died a long time ago. It’s a very sad moment. Appropriately enough, perhaps, the screen turns black.
The Battle of the Hydaspes River
The darkness does not last for long. A small circle appears in the centre of the screen and draws towards us. We are still in the forest but days? Weeks? later as the Macedonians await the arrival of Porus’ army. Wood creaks and breaks. The captains bid the men to remain calm. There is shouting in the distance. The camera shakes as something big approaches. No wonder the men look nervous! I’m sure this is elementary film making but I like the way Stone builds the suspense here. It enables us to be as awed as the Macedonians are when their nemeses – Porus’ army of elephants – is finally revealed.
Alexander fought the Battle of the banks of the Hydaspes River using his phalanx. The film keeps the phalanx but has the battle take place in the forest. I am no tactician but surely the phalanx model would have been useless there? This is a scene that definitely only works in the heat of the moment. When you watch it with a cooler eye, the sight of the Macedonians forming up amidst the trees looks a bit silly.
From the phalanx we move on to Alexander as he prepares to charge at the oncoming Indians. His cavalrymen are close by but this doesn’t stop the king from yelling at them to hurry. “Why do you hang back?!”. As they have not met the enemy and their elephants yet I assume that the cavalry’s reticence has been caused by the snipers in the trees. Ironically, speeding up would make them more difficult targets to hit. I have to say, I appreciated the presence of this line as, for me, it also references the way Alexander got so impatient during the siege of the Mallian fort (325 BC), he grabbed a ladder, climbed the walls of the fort and jumped inside to take on the Mallian army by himself.
Of the battle itself, the stand-out moments for me are these –
- The way the elephants tear the phalanx up
- Alexander’s determination to help Craterus (despite their earlier confrontation)
- Hephaestion’s arrival. Admittedly, I am writing these words in a cold room but I did get goosebumps when the camera cut to Alexander leading Hephaestion’s cavalrymen towards the battle. With the heroic music in the background it felt a big ‘heroes riding to the rescue’ moment
On Hephaestion, I would like to take this opportunity to say that I don’t think for a minute that he was an inferior soldier. I read someone say he was the other day; the insinuation seemed to be that if he had been a good one, Alexander would have given command of the entire Companion Cavalry to him rather than just half. My impression, though, is that after the Philotas Affair Alexander feared anyone – even, perhaps, Hephaestion – having too much power. This is a matter I need to look into more but I thought I would mention it here.
- Alexander’s and Bucephalas’ solo attack on the Indian army. The eagle of Zeus is absent and everyone – even Hephaestion – holds back. It is a breathless moment. I envy anyone watching it who doesn’t know Alexander’s story. They would surely think that this was his last stand.
- Bucephalas and Porus’ elephant rearing up. Unfortunately I wasn’t able to watch this properly as my damaged disc skipped the scene but I remember it well. It is a mighty – if wholly unrealistic – moment
- Alexander lying on the ground having been shot with an arrow. The screen turns to red. He is dying but does not look at all upset by this. Why would he, though? This is the man who has just said, “Isn’t it a lovely thing to live with great courage and to die leaving an everlasting fame? Come, Macedonians. Why do you retreat? Do you want to live forever?”
- Bucephalas ‘defending’ Alexander. Again, unrealistic and real emotional manipulation but great cinema
On the whole, the battle at the Hydaspes is well filmed and very enjoyable to watch. Enjoyable, that is, in the sense of being very exciting, sad and nerve wracking. It suffers from one profound problem, though. When Alexander rode forward by himself, the Macedonians were in retreat. When he fell, Hephaestion led the men forward. The battle, as the elder Ptolemy says, was Alexander’s bloodiest, ‘pure butchery’, are we to expect that the Macedonians could really have pulled it round so comprehensively on the strength of Alexander’s fall? I’m not so sure.