New Year is well and truly over and I am back at work. When is my next holiday?
This week I read Come, Tell Me How You Live by Agatha Christie Mallowan. Don’t be confused by the last name, she is that Agatha Christie. Mallowan was her married name. The reason for its use here is because Come, Tell Me is not a crime novel but an account of the archaeological trips to the Near East that she undertook with her archaeologist husband, Max Mallowan, in the 1930s.
In Chapter One, Christie and her husband make their way to Syria on the Orient Express. They witness no murders, fortunately, but do pass the Sea of Marmora and Cilician Gates in Turkey.
As soon as I saw these names, my mind went back to Alexander. Christie’s Marmora became Diodorus’ Marmarens. The Marmarens (who, I should say, lived in Lycia rather than around the Sea of Marmara) attacked the Macedonian army as it marched past, killing no few soldiers, kidnapping others and stealing booty. Alexander, unsurprisingly, was rather displeased by this, and lay siege to the Marmarens’ fort.
For two days, Alexander attacked it. However, although he failed to break its defences, he did enough to persuade the Marmaren elders that he would stay until he had done so. Upon realising this, the elders,
… advised their younger countrymen to end their resistance and make peace with the king on whatever terms were possible.
Interestingly, the younger Marmarens refused to do this. Diodorus tells us that they ‘were eager to die together simultaneously’ (Ibid) for the sake of their freedom. Now, at this point, you might have thought that the elders would have knocked their children’s heads together, remind them of who was in charge and lead the surrender before the youngsters came out with another tom fool idea. But no, they acquiesced to this, and came out with a tom fool idea of their own. The elders told the young men If you are determined to die, kill your wives, children and elderly relatives then break out of the fort and hide yourselves in the mountains.
The young men liked this idea and went away to have a last meal with their families. That evening, however, some of them reneged on the plan. But they didn’t run away with their loved ones. Instead of killing their families ‘with their own hands’ (Ibid) as the elders had suggested, they set fire to their homes and burned them alive. Six hundred men did this, and having done so, they should have had the decency to die with their loved ones. But no. They duly broke out of the fort and headed to the mountains.
This story has stuck with me since I read it. I am fascinated by the apparent equality of power between the young and old Marmarens. I have not heard of any other society in antiquity, or since, for that matter, where a similar situation has existed.
But… Did it exist? It may not have. The above quotations from Diodorus comes from my Loeb edition. The notes there state that ‘Appian… tells the same story of Xanthus, traditionally destroyed in this way three times… it was something of a literary topos’ (Diodorus XVII.28 n.5). Indeed, as the notes say, Diodorus repeats the story in Book XVIII.22 of his Library. There, it is the Isaurians in Pisidia who, seeing that they have no chance of breaking Perdiccas’ siege, burn their families alive in their homes. The Isaurians, however, do not try to flee afterwards. Instead, they destroy their possessions in the fire and, after defending the city for a little while longer, jump into the flames themselves.
Diodorus calls the Isaurians’ actions ‘a heroic and memorable deed’ (Dio.XVIII.22). I can only wonder if he changed the original account of what happened to the Marmarens and Isaurians to highlight their perceived heroism or if his sources did so.
Only Diodorus mentions the Marmarens. In contrast, both Arrian (II.4.3-6) and Curtius (III.4.11-14) refer to Alexander’s passage through the Cilician Gates on his way to Tarsus. There, their similarity ends.
Curtius states that Alexander looked at the narrow path ahead of him and,
… they say [was] never more surprised at his good fortune. For, he observed, he could have been crushed just by rocks, if there had been anyone there to hurl them down on his approaching troops.
According to Arrian, however, the Cilician Gates were heavily defended when Alexander arrived, but when the Persian soldiers realised ‘that Alexander was leading the attack in person’ (Ar.II.4.4), they fled. This sounds altogether a more likely version of events than Curtius’ as it would make no sense for the local satrap, Arsames, to leave the pass undefended.
One of the things that makes Alexander such an interesting figure to study is the fact that he defies our expectations. I was reflecting on this the other day and contemplating writing a blog post titled ‘Alexander the (Social Justice) Warrior’ focusing on how he pardoned Timoclea after she killed the Thracian soldier who raped her (Plutarch Life of Alexander 12), his treatment of the Persian queen and princesses (Pl. Life 21) and the conquered Persians (e.g. in the way he tried to integrate them into his imperial hierarchy as satraps). These were all very progressive social actions.
Alexander was not just about the fighting; and when he did fight he did not do so just to make Greece look good. Like any social justice warrior he wanted to change the world for the better. Hence, the above mentioned actions and the fact that he took surveyors and scientists on his expedition.
Of course, the name ‘social justice warrior’ has a pejorative meaning as well. And guess what. Alexander can be found there as well.
Thus, taking the Urban Dictionary’s definition (here),
… an individual who repeatedly and vehemently engages in arguments on social justice on the Internet, often in a shallow or not well-thought-out way, for the purpose of raising their own personal reputation.
Having been taught by Aristotle, Alexander could hold his own in an argument. However, he was undeniably concerned with his reputation. That was the whole reason for the expedition.
Social Justice Warriors or SJWs are: People with paper thin skin who always find something to be offended about. They generally have no concept of humour.
As Black Cleitus (Curtius VIII.1.22-52), Callisthenes (Pl. Life 53) and Cassander (Pl. Life 74) found out to their collective cost Alexander could be very easily offended sometimes, with fatal consequences.
[SJWs] aggressively call for the downfall of the person who carelessly offended them.
Philotas (Curtius VI.7.1-11.40), anyone?
But as I said above, Alexander defies our expectations. He is not only a progressive but also very conservative. Perhaps I will come back to that in my next or a future post.
The BBC and Netflix are producing a new drama based on the Trojan War. Controversy is following in the series’ wake, however, due to the fact that some of the characters, including Achilles, are being played by black actors. For more, see the Greek Reporter here.
If I had been the casting director, I would have chosen a white actor to play Achilles. That’s what he was. However, the more I think about it, the less I think that the casting director is obliged to hire a white person.
The Iliad is not history. Homer’s Achilles did not exist. He might be based on a real person but he is not them. Homer’s Achilles is a myth. He is a meaning. And in that capacity, he can be reinterpreted by every age as it sees fit. Indeed, it is only by being reinterpreted that he remains relevant to us.
If a law was made that permitted only one, single version of Achilles, we would bound him to the meaning of a specific time and place, and one day, he would become strange and unknowable to us. I would a thousand thousand times over rather have a black Achilles, a female Achilles, an Achilles who loves Hector rather than Patroclus or a pacifist Achilles rather than an irrelevant Achilles.
Oh please, come on, this is utterly ridiculous. Yes, Achilles is a myth, but the fact that Greece didn’t and don’t have anything to do with Africa is NOT a myth. The fact that Homer described Achilles as fair haired is NOT a myth. Myths are not born out of nowhere. They are linked to the country where they are born, and Greece is not Africa. If Achilles can be whatever a director decides (black, a female, a pacifist, etc) he won’t be Achilles anymore.
And if Greeks are offended because political correctness is messing up with their national mythology, they are entitled to be.
Besides, I bet that, should someone make a movie on an African myth using white actors, all social justice warriors would label him as a racist at once.
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