A Mid December Update

29th Nov. – 13th Dec. 2020

I am still reading Goldsworthy’s Philip and Alexander and Bosworth’s Conquest and Empire. I am getting on well with both books; the only thing I don’t like about Bosworth’s is the small text: just a little on the small side for these middle-aged eyes!

As usual, I have not made the progress that I would like with either book – but that was ever thus.

With Goldsworthy, I am still in the early days of Philip’s reign as king: another opportunity to marvel at how he survived the first few days of his kingship in 359 BC. King Bardylis of Illyria, the pretenders Argaeus backed by Athens and Pausanias backed by King Berisades of Thrace, and Paeonian tribes were all intent on either killing or dominating him. With some combination of bravery, diplomacy and a little good luck Philip managed to worm his way out of trouble and never looked back.

With Bosworth I am in Asia Minor having just seen Alexander fail to take Halicarnassus. Well, to a point: he took the city – albeit after Memnon fled – but the two citadels there remained in enemy hands. Staying to besiege them was not worth his time so he left the matter in the hands of officers. They will eventually capture the citadels but it will take several months for them to fall.

The Road to Alexander
I am really enjoying writing this series for the Facebook page. Every time I open Timothy Venning’s A Chronology of Ancient Greece, two things happen: i. I get to learn about people and events that I previously knew little or nothing about, and ii. I get to distill this information for the Facebook page, which in turn helps me to remember what I have read better.

Before I started The Road to Alexander, I knew two things about the fifth century B.C. in Greece: The Greek-Persian Wars and the fact of the Peloponnesian Wars. I knew a little about the detail of the former but virtually nothing about the detail of the latter and pretty much nothing about the periods in-between.

I have now reached 433 B.C. so that has now changed except, of course, in regards the Peloponnesian Wars. As you can tell by the date, though, I am on the cusp of it so that will also soon change. I can’t wait to open Excel and start writing my own chronological tables for the period. I will do the same for the fourth century up to Alexander as again, my knowledge of the period prior to him is still not at all what it should be.

The other thing I look forward to doing is reading about what happened in translations of the sources – people like Thucydides. That will be Stage Two.

In the meantime, if you are looking for a chronology of Ancient Greece, I can’t recommend Timothy Venning’s highly enough. Here it is on Amazon.

Waldemar Heckel
Speaking of books, I was disappointed to find out recently that the other book that has helped me so much over the last few years, Waldemar Heckel’s Who’s Who in the Age of Alexander the Great, appears to be either currently unavailable or only available at a high price. As a resource it is far better than anything on the web. It is short, names its sources, and is by a scholar. I do hope it goes back on sale at some point.

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Dancing With The Lion, an interview with Jeanne Reames, Part Two

On the fiftieth anniversary of the Apollo 11 moon landing, an adventure that Alexander would surely have approved of, I continue my conversation with Jeanne Reames.

Jeanne has written Dancing With The Lion, a two part novel about the early years of Alexander, or, how he became the man we know as ‘the Great’. The first part Becoming just just been published. Part Two, Rise, will be published this October.

You can find Dancing With The Lion: Becoming on Amazon in the U.K. here and U.S.A. here or from all good bookshops. Jeanne’s book website is here. With that said, let’s jump back into the interview.

Alexander’s mother, Olympias, is represented very negatively by the Alexander historians; what is your assessment of her character, and how does it inform the way you look at her in Dancing with the Lion?
I stand with Beth’s picture: her reputation got a hatchet-job. This doesn’t mean she was nice, but she absolutely must be viewed in the full context of a polygamous court, her obvious intelligence, her Epirote ancestry, and the need simply to survive. This is why I use Myrtalē instead of Olympias, to detach her from all that baggage, much as I use Alexandros to detach him from “Alexander the Great” baggage.

Misogyny is THICK in a lot of Alexander fiction, perhaps unconsciously imbibed from the primary sources. It’s not only in how Olympias is portrayed, but in how Alexander’s sisters are overlooked. In Dancing with the Lion, not only did I try to write a powerful Olympias, but his full-sister Kleopatra is a POV character and even has her own coming-of-age arc, especially in book 2, Rise. Thessalonikē and Audata also play roles. (There’s another female voice that will appear in Rise, but I can’t say who, or it’s a spoiler.)

One might argue that negatively portraying Olympias doesn’t equal misogyny, which is true. And yes, she committed a number of murders (although she got blamed for some I’m pretty sure she didn’t commit, too). Yet as Beth points out in her articles, she didn’t do anything her husband and son didn’t also do. The horror was that she was a woman doing it. Greek women were supposed to stay out of politics, but Epirote Olympias didn’t get that memo! While the Macedonian court doesn’t appear to have been as repressive as, say, Athens, it also wasn’t as open as Epiros. Arriving in Pella, the 14/15/16-year-old Olympias must have found it all very flat, very hot, and very hobbling, compared to what she was used to at home. I expect Eurydike, Philip’s mother, had experienced something similar, decades earlier, and she, too, was roasted in the ancient sources. These powerful, northern women were not understood.

We must also recall the Macedonian court was polygamous (that’s why I never use “queen” for any of Philip’s wives in the novels). If royal polygamy had predated Philip, he employed it with gusto, marrying 5 women in his first 5 years on the throne. Olympias was either number 4 or 5, so even if her birth made her royal, she came into a situation with 3-4 other wives already there, plus the queen mother likely still alive. Imagine that.

At a polygamous court, the most important male in a woman’s life isn’t her husband, but her son. The more (healthy) sons she can produce, the higher her status, although it seems birth status also played a role, especially if there’s more than one son. As mother to the only viable heir, Olympias eventually became chief wife, but that took time to establish. And her continued position hung on ALEXANDER’S status, and survival. That’s what motivated her.

I’ve tried to make that very clear in the book. I’ve also tried to make her as savvy and competent as I think she was. Ergo, she acts as chatelaine for the entire palace, and is also trained as a healer and midwife, which comes into play in the first novel. The tale of her poisoning of Arrhidaios via “pharmakos” (herbs) may conceal an historical ability with herbal remedies. The Greeks were highly suspicious of “what those healer women did” and midwives, while necessary, were also viewed with mistrust. In myth, witches like Circe employed a knowledge of pharmakos. So Olympias gets called a witch by the men in the novel (including Philip), and poor Alexander is constantly defending her. To them, midwife-herbalist-priestess-witch…it would have been a fuzzy distinction.

How did you approach writing people about whom we know very little (e.g. Alexander’s sister, Cleopatra) or nothing (e.g. Hephaestion’s father, Amyntor)? Did you have any models for them or did you give your imagination free reign?
Sometimes I do use real people as models; for instance, parts of Amyntor’s personality are based on my own father, but also on my mother. Yet no character is ever a complete match for a living person. They’re composites. I also use things like the Myers-Briggs Personality Indicator to conceptualize them. So Alexander is an ENTP and Hephaistion an INTP. Amyntor is an ISFJ, and Philip an ENTJ. Thinking in these terms helps flesh them out, so that the details emerge organically from who they are. Fictional characters must be more consistent than real people, in part because they are fictional.

I’m not sure how well that answers your question, but it’s how I think about characterization generally. Ultimately, all these people are characters, even those about whom we may know more: Alexander, Philip, Ptolemy, Aristotle. There’s still a boatload we don’t know. So, for instance, Alexander’s favorite fruit was, supposedly, apples. But we don’t know what his favorite color was. His voice is described as deep and harsh, but we don’t know what hand he favored. I made him a lefty for the hell of it. My point is chiefly that, even for the better-known characters, I’m still filling in a lot of blanks.

Your scholarship no doubt helped you write Dancing with the Lion– do you think your novels will help you as a scholar, and if so, how?
Absolutely writing fiction makes me a better historian because it forces me to be more aware of the various levels of probability in the historical record. One has the factual (and even what’s “fact” can be disputed), then the probable, the possible, and finally, educated speculation. Pure fiction is the next step.

In addition, writing fiction can force the historian to think about old problems in new ways, ask questions we might not think to ask. So, for instance, the novelist wonders what happened in those first few minutes, and hours, after Philip’s murder. It must have been a madhouse in Aigai. Diodorus tells us nothing—yet it’s still important to consider. So that’s the sort of thing fiction can bring to light.

Mount Olympus

Was there anything in particular that you enjoyed about writing Becoming and Rise? A character, perhaps, or a scene?
Kleopatra and Hephaistion were my favorite characters to write.

Kleopatra, because she’s a “type” I favor in storytelling. If the Dionysos novel ever gets published, Ari(adne) there is similar. Both are the antithesis of the drama queen or “spunky heroine.” Kleopatra just quietly gets shit done without flailing, and unlike her brother, she isn’t given to romanticizing things. If/when I get back to the series, readers will see more of her.

I also really enjoyed writing Hephaistion because he’s that rare personality type who just doesn’t give two figs what most people think of him, with a few exceptions such as Alexander or his family. He’s therefore always authentically himself. That doesn’t mean he has no filter; he keeps his mouth shut a lot of the time, but when he does express an opinion, he says exactly what he thinks. He’s also a bit (maybe more than a bit) of a smart-ass, which in turn means he gets to star in some of the funnier moments in the novel. In several, he takes down Kassandros a peg, but my favorite with him is when he and Erigyios throw another student in a cold river, because the boy was being insufferable. Later, Alexander tells the boy, “Hephaistion doesn’t start things, he ends them,” which is a fair summary.

That said, my overall favorite scene, at least in Becoming, is “Drunk Aristotle.” I won’t say more or it’s too much of a spoiler. Just…drunk Aristotle and a tutorial. I’ll leave you with that.

Do you have any advice for anyone who would like to write their own work of (historical) fiction, especially if it’s about Alexander (and Hephaestion)?

First, practice the art of getting it right.

That means do your homework, and not all on the internet. Read books and articles, read more than one or two, and not just biographies on Alexander. It’s vitally important to understand Macedonia. Also, if writing about his conquest of Persia, then one MUST understand Persian culture and the court, as well as other Ancient Near Eastern cultures from Phoenicia and Egypt to Baktria and India. Plus knowing Greek culture would help, too. Ha. It’s not a small undertaking.

Make sure you understand the world you’re writing about, so the characters act and react in ways authentic to their era. Otherwise, it’s just a costume drama with modern characters in ancient dress. While yes, one can’t make them too alien, or modern readers won’t connect/care, ancient Greek attitudes can be surprising not just in predictable ways (misogyny, acceptance of slavery), but unexpected ones, at times.

Do look up details. Not long ago, I read an ATG novel that had the Persian female characters talking about limes (didn’t exist yet, just the citron) and referencing Zoroastrian religious beliefs that developed in the Sassanid era—hundreds of years later. One is bound to make a mistake or three; it’s almost inevitable. But a lot can be avoided by double- and triple-checking. Even a throw-away line can be wrong. In an earlier draft, I had Hephaistion tell Alexander to wash out his mouth with clove water. Whoops. Cloves weren’t known in Greece yet. Had to look up ancient Greek dental hygiene. 😊All for a single line.

Additionally, a mistake is different from making a choice about a controversial matter; so, for instance, I come down on the side that Argead Macedonia was not a constitutional monarchy. That means a potential author needs to realize there is a debate about whether ancient Macedonia was a constitutional monarchy. Back to doing one’s research.

The Macedonian sunburst

Second, have a story you want to tell.

I think the two biggest problems I’ve seen in novels about Alexander (or any historical figure) are those that do a half-assed research job because “it’s just fiction.” If you don’t want to do your homework, please, write something else where you can make it all up. But the other side of the coin is forgetting one is writing a story in the effort to make it accurate. That confuses historical fiction with creative non-fiction, which is a thing and has a place. But it’s not a novel.

What is the STORY you’re telling? It might be an adventure story (e.g., the point is action), or it might be a character story (e.g., the point is character development), but there needs to be some sort of story-arc. The plot/characters must go somewhere, be different at the end than at the beginning. When somebody asks me, “What’s your novel about?” I say, “It’s about Alexander becoming Alexander-the-Great,” or “It’s a coming-of-age story about a prince who doesn’t know if he’ll live to become king.” That’s a story-arc. Then you build on it.

If it’s a coming-of-age novel, who should be included? Parents, check; siblings, check; teacher, check; first love, check; even nemesis, check. Next, you can select what historical events allow you best to tell that story, which may mean tweaking some, eliminating others, or adding a few. But you don’t begin with events then try to construct a story around them, or it’ll be disjointed. So for instance, in Becoming, I don’t do a lot with the politics following the Third Sacred War and Philip’s Scythian/northern Thracian campaign because the story isn’t about Philip, it’s about Alexander, and he’s off at Mieza. If he would certainly have been aware of these things, it would have been peripheral. It’s only in Rise that I start to insert more about wider-world politics, because by then, it matters to his story.

An author has to keep her eyes on the ball, not go down random rabbit holes, no matter how interesting!


And on that note, I would like to thank Jeanne for her time. It has been a pleasure having her here. Go buy the book! And if you do, feel free to let me know what you think of it, either in the comments below or via e-mail – thesecondachilles @

all images used in this blog post belong to Jeanne Reames and are used with her permission

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Dancing With The Lion – an interview with Jeanne Reames, Part One

Today, on the 2,375th anniversary of Alexander’s birth, I am delighted to welcome Jeanne Reames to The Second Achilles for the first of a two part ‘interview’ to discuss her part one of her new novel Dancing With The Lion: Becoming, in which she tells the story of how Alexander became the Great.

You can find Dancing With The Lion: Becoming on Amazon in the U.K. here and U.S.A. here or from all good bookshops. Jeanne’s book website is here.

To celebrate Dancing With The Lion: Becoming hitting the bookshelves, I caught up with Jeanne in the most twenty-first way possible, via e-mail, to discuss the novel and its characters.

What was your inspiration for writing Dancing with the Lion?
When I was in grad school for the first time at Emory, this guy, “Alexander the Great,” kept popping up in my Early Church history classes, yet I knew nothing about him. Deciding I might learn something, I trekked off to the library and grabbed two biographies off the shelf, somewhat at random. They happened to be Peter Green’s Alexander of Macedon (the original 1974 Thames-on-Hudson edition with images), and N.G.L. Hammond’s 1980 Alexander the Great: King, Commander, and Statesman (his more measured bio). I couldn’t have picked more divergent visions of Alexander if I’d tried.

So I became fascinated by this young man who literally changed the face of his world, then died before 33, leaving behind such varying analyses from heroically positive to viciously negative. The novelist in me took note, as we love a complicated character. I kept reading, and fell in love with Macedonia itself, as well.

What was it like writing about Alexander himself? Did he come with a lot of baggage – given to you by other authors and historians – or does he travel lightly, so’s to speak?
Oh, he comes with a freight-load of baggage, which is why I chose to use his real (Greek) name—Alexandros—to cut off some of it. In addition, I wanted to write him from a Macedonian perspective, as best I could. He’s too often viewed through a Greek (and later Roman) lens.

Much of that owes to our surviving sources, none of which were written during his own lifetime; Diodorus (arguably the earliest we still have) dates to the first century BCE. That would be like trying to write on John F. Kennedy with nothing more recent than bios 200 years in the future. Lord knows what they’d actually understand about the 1960s.

Fortunately, modern archaeology is producing amazing new insights, especially about early Iron-age, Archaic, and Classical Macedonia, rewriting our understanding of the Argead Macedonian kingdom. Never mind the royal cemetery at Aigai, what’s coming out of Aiani (ancient Elimeia), Archontiko (Pella), and Methone is stunning. But unfortunately, most of these reports are in modern Greek. I’ve tried to include at least references to our new discoveries in the novel, although the bulk of the text was written well before 2000. Again, all this contributes to my goal to show a non-Athenocentric, Macedonian Alexander.

Mieza, where Aristotle taught Alexander, Hephaestion et al

Did Alexander surprise you by his actions in the course of writing this book or did you feel you always had him under control?
If your characters are real, they always have a life of their own. Non-writers can be baffled when novelists talk about characters as if they were real people with whom the author has regular conversations. But if the author can’t do that, her characters aren’t 3D.

That said, Alexander was a bit harder to write my way into than Hephaistion. Hephaistion winked into existence when I (re-)read Peter Green’s bio and hit the line that describes him as, “Tall, handsome, spoilt, spiteful, overbearing, and fundamentally stupid” (p. 465, U. Cal ed., 1991 reprint). And in my head, this little Hephaistion sat up and said, “No, I wasn’t like that at all.” That gave me both a character and a dissertation, so I thank Peter for it.*

I’m sure some of my reaction was a gelling of what I’d read, leading me to a different opinion about Hephaistion. Yet from that moment, Hephaistion’s book character has been firmly formed and hasn’t changed much. Also, I’d like to note that I do see a distinction between my character and the historical person. If the former is certainly based on my research into the latter, I’m not confused about where the lines are.

The character who morphed the most during the writing was Myrtalē-Olympias. When I began, I had a fairly traditional, negative view. Then I read Beth Carney’s work, which fundamentally altered how I understood her and her motives, creating (I hope) a more nuanced character.

The historical Hephaestion did not live to write his memoirs and appears only episodically in the works of the Alexander historians. This makes him a rather elusive personality. Was that a blessing or curse for you in writing about him?
I consider it a blessing, as it left me a lot of freedom. Yet I’ve spent so much time with this fellow, I do feel as if I have some sense of what the historical person must have been like.

With Hephaistion, we must avoid too simplistic a reading. It can be easy to slam him into certain pre-made categories. The first is a yes-man without genuine ambition or much of a mind of his own, just beauty and a steadfast loyalty to Alexander. A second is more sinister: an ambitious man of limited ability, using Alexander’s affection for him to climb the socio-political ladder at the Macedonian court, and targeting his enemies along the way. He may (or may not) have felt genuine affection for Alexander.

To me, the evidence from the ancient sources doesn’t support either of those. First, he actually was capable (both Sabine Müller and I have written academic material about this). Second, all his clashes are late in his career, once he’d risen to very high rank, and in at least the case of Krateros, he may have been the target rather than the targeted. Earlier, he had no obvious enemies (aside from, perhaps, Olympias). In the novel, in fact, I’ve made him a bit more testy than I think he actually was. If Curtius (who was no fan of Alexander) paints a mostly positive picture of Hephaistion, perhaps we should pay attention.

He appears to have been deeply—and genuinely—attached to Alexander, and Curtius observed that he was diplomatic enough to avoid pushing his place. Yet he may also not have cared for personal advancement to the same degree as his fellows. That said, we must be careful not to make him passive; the evidence suggests that if insulted, he’d strike back. Remember, a virtuous Greek didn’t turn the other cheek; one was expected to help friends and hurt enemies, not ignore them, an important difference between now and then. In fact, showing clemency could be a backhanded insult, one Julius Caesar later used to great political effect. One could show clemency only to one’s social inferiors, after all.

I’ve come to think of Hephaistion as a “gamma male”; in pop culture, there’s little agreement as to what these men are like, but originally the term was coined to define those who disengage from the whole alpha-beta dynamic. They neither attempt to lead (although may be capable of doing so), nor do they willingly follow, unless they agree on the direction. While it might seem that alpha and gamma males should naturally clash, gamma males may also be the only true friend a strong alpha can have (and trust).

I find three aspects of Hephaistion’s personality mostly consistent according to our sources: he was honest with Alexander but diplomatic about his status in public, he seems to have agreed with Alexander’s policies in general and supported them, and last—and most importantly—Alexander wasn’t the least threatened by him. Add to that a friendship that quite probably spanned two decades and it suggests he was more complex than some would allow.

In writing Hephaestion did you ever find yourself in dialogue with previous interpretations of him? For example, in authors such as Mary Renault and film makers like Oliver Stone?
Very little, actually. First, this novel is now 30 years from its inception, and Hephaistion was among the earliest solid characters I had. I wrote the first line in December of 1988. I hadn’t even read Renault yet, and all of that was long before Stone came on the scene. Not to mention Stone’s Hephaistion is really Renault’s Hephaistion.

So while some of my characters owe to the influence of others (say, Beth Carney’s impact on my view of Olympias), Hephaistion is solely mine, unless you count Curtius and the other original sources.


*(Important note: scholars can like each other very much while still disagreeing on evaluations of the evidence, and Peter gave me one of the best edit jobs I’ve ever had for “The Mourning of Alexander the Great” [Ed’s Note: Which you can read here] which I also think is probably the best article I’ve published to date. So be aware that our scholarly disagreements in no way reflect our personal opinions about our colleagues. Also, we may disagree vehemently with one point, but agree substantially on others.)


Check back tomorrow for Part Two of the interview in which, among other things, we discuss Alexander’s mother, Olympias and his sister, Cleopatra and I get some advice on how to write (historical) fiction.


For more information about Dancing With The Lion, visit Jeanne Reames’s website here.

Coming this October…

All the images used in this blog post belong to Jeanne Reames and are used with her permission

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Diodorus Returns

July is the month of new books. The first is a new translation – the first in fifty years – of Book 16-20 of Diodorus’ Library; the books that cover the life of Alexander and of the deeds of his Successors:

To read more about this significant work, visit the OUP’s website, here.

I am all the more excited to read this book as the translator, Robin Waterfield, wrote one of my favourite Alexander books, Dividing the Spoils, which is his account (based largely on Diodorus) of what happened to Alexander’s empire after his death.

What’s the second? Check back on Friday to find out!

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Shipping Cyrus (Amongst Others)

I visited my sister yesterday; she homeschools her children and is currently studying ancient Greek history with her eldest. More than that, they are currently studying Alexander the Great!

We had a good chat about who might have killed Philip II and why, what happened to Alexander’s empire after the wars of the successors and how Alexander himself might have fared in battle against other great generals, including Cyrus the Great.

Speaking of whom, he is the subject of an interesting new book from the Harvard University Press.

As soon as time and money allow, I will definitely be checking out this volume. Cyrus, of course, was one of Alexander’s heroes. Their lives intersected, in a manner of speaking, at several points during Alexander’s life.

For example, Alexander favoured the Ariaspians (aka Euergetae) for the help they gave Cyrus during his campaign against the Scythian people (Arrian III.27.4-5), and may have had Cyrus in mind when he tried to introduce proskynesis in Bactria (see Arr. IV.11.9); in addition, one of the reasons Alexander chose to cross the Gedrosian desert was to emulate and better Cyrus (and Semiramis) who had done so at the cost of their armies (Arr. VI.24.2-3). Finally, he made a point of visiting Cyrus’ tomb in Pasargadae, and was very distressed to find that it had been desecrated (Arr.VI.29.4-11).

When you consider that Alexander also looked up to Herakles and Achilles, he really was a one-man multiple fandom.

Back at my sister’s house, I was happy to see that her study book asks the student to consider why the sources give us certain information and what it might mean. I have to confess that when I first started reading the Alexander historians, I trusted them from start to finish, and it took me several years before I finally said to myself, ‘hold on, I can’t do that’.

This was a product, no doubt, of my own laziness of thought and the casual way I read the books back then. Never mind – what’s done is done; coming back to the present, you’ll notice that all the citations above are from Arrian. Very likely, then, he is referencing Ptolemy and/or Aristobulos. A good question to take away from this post, therefore, is why they – or Arrian’s sources in general – might have decided to highlight Alexander’s connection to Cyrus the Great.

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Soldier, Priest, and God: A Life of Alexander the Great

by F. S. Naiden (Oxford University Press, 2019)

Soldier, Priest, and God is a twelve chapter biography of Alexander, which, as per the title, tells his story with special reference to Alexander’s expedition to the east, religious observance, and divinity.

Is the book worth your time?

Three Pros:

  1. The focus on Alexander’s religious observance (not religion; Naiden doesn’t go into a discussion of who the Olympian gods were, etc). I can’t think of any other biography that gives this absolutely essential part of Alexander’s identity any significant amount of attention. If you know of any that do, feel very free to let me know.
  2. Naiden includes tables recording all the ‘acts of sacrifice and related rituals in the Alexander historians and in Strabo’ (p.273) and ‘omens and oracles’ (p.280) in the former. If you are half-interested in the religious side of Alexander, Soldier, Priest, and God is probably worth buying just to have these tables to hand.
  3. Naiden’s text is accessible. He does not have the light touch of a popular historian (though see below) but tells Alexander’s story clearly enough. Further to this, the text is supplemented by several nice-to-look-at maps and illustrations.

Three Cons:

  1. Yes, Naiden’s text is accessible but it is also a little dull. I was never bored while reading Soldier, Priest, and God but neither was I excited by it. In cricketing terms, Naiden plays with a very straight bat. As a result, while I will certainly keep this book for reference purposes I doubt very much that I will ever think about reading it from start to finish again.
  2. The text contains the odd easily avoidable error. For example, Naiden states (on p.76) that Sisygambis mistook Leonnatus for Alexander rather than Hephaestion. On Hephaestion, his funeral took place in Babylon, not, as Naiden says (p.235), in Ecbatana*.
  3. Naiden anglicises Alexander’s name but does not always do the same for the Persians. As a result, you may – like me – find yourself pausing to try and remember or work out who Mazdai, Huxshathra, and Spitamanah are (in case you would like to know, they are Mazaeus, Oxyathres, and Spitamenes).

So, Soldier, Priest, and God may be a little dull in the telling but Naiden does make you think – whether with a raised eye brow or not. For example, he talks about Alexander’s Companions as a ‘cult’ (p.1), mentions that a ‘2008 republication of an inscription proves that Alexander was crowned pharaoh’ (p.5)(my emphasis), accuses Alexander of ‘immaturity’ (p.25) in ordering the assassination of Amyntas IV, and states that the box he put his annotated copy of The Iliad in was previously used to store ‘cream scented with palm wine’ (p.143). What is good, though, is that he provides a very full set of end notes, so if you see a statement that looks debatable or plain wrong, there is a good chance he has mentioned his source(s).

In my first post of this year, I reviewed a review of Soldier, Priest, and God. I found the review on the Book Marks website here. If you click on the link you’ll also see extracts from James Romm’s review at the (paywalled) Wall Street Journal.

Obviously, I would agree with Romm about Naiden’s lack of narrative skill – I think I would call it his lack of a story teller’s touch – but I have to say I didn’t get the impression that Naiden was ‘strangely snarky’ in describing ancient religious beliefs. I’m sorry I don’t have a subscription to the Wall Street Journal to read more about what he says on that point.

With that said, like Romm I did come away from the book ‘as puzzled as ever about the young king who conquered the world.’ though I am not sure I can wholly blame Naiden for that. Yes, any book about Alexander should make us feel afterwards that we have learnt something about him but on the other hand, he will always be ‘other’ to us. The lack of his own words, evidence of his inner thoughts and emotions, and differences in the way we live and perceive things compared to his time have seen to that.

In conclusion: Soldier, Priest, and God has its flaws but there is enough in it to make it a book worth considering if you would like to know about about the religious Alexander the Great.

*I’m going to come back to this point in my next blog post.

Credit Where It’s Due
Front cover of Soldier, Priest, and God: me! I took that photo

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Before & After Alexander: The Legend and Legacy of Alexander the Great

by Richard A. Billows (Overlook Duckworth, 2018)

Before & After Alexander is split into three main sections. In the first, Billows looks at Philip II’s kingship and shows how he took Macedon from being a backward country on the brink of destruction to being a regional superpower. In the second, he examines the career of Philip’s son, Alexander the Great. And in the third, he discusses the Wars of the Successors and takes the story of Hellenism right up to the fall of the Byzantine Empire in A.D. 1453 and beyond.

Three Pros:

  1. It makes a convincing case for seeing Philip II as the man who made Alexander the Great’s successful career possible. This is important as while Philip is by no means a forgotten figure he does tend to live in Alexander’s shadow. Without him, though – without his reorganisation of the Macedonian army and development of weaponry and tactics -, without his social and economic policies, which increased Macedonian manpower, Alexander would not have been able to challenge much less defeat the satrapal army at the Granicus let alone Darius III at Issus or Gaugamela.
  2. It does something new by taking the story of Hellenism all the way from Philip II to the Renaissance. Further to this, Billows does not limit himself to talking about Hellenism in the context of Christianity but also Islam.
  3. While Billows’s text does not flow quite as smoothly as some writers’, it is still very accessible. The book also comes with End Notes and a Glossary of Greek Terms as well as the more usual maps, genealogies and chronology.

Three Cons:

  1. The section on Alexander comes close to being a hatchet job. After reading it, I had no sense that Billows intended to engage with him. It was as if Alexander existed simply to be criticised and make Philip look good.
  2. Billow’s conclusion is very contentious.

… if not for Philip’s new Macedonia, if not for his unification of Greece, if not for his bold plan to invade and conquer the Persian Empire and spread Greeks, the Greek language, and Greek culture all around the eastern Mediterranean, it is very debatable whether Greek literature and ideas would or could hold the place in western and even Islamic culture that they do.
(Before & After Alexander, pp.301-2)

Philip certainly made Macedon anew. But, he didn’t unify Greece. He didn’t even control all of it; Sparta remained beyond him. True, he could have taken it if he wished, but he didn’t. And the rest of Greece, which he did control, never accepted him as its master. To the best of my knowledge, we do not know that Philip intended to conquer the Persian Empire much less spread Greeks, the Greek language or culture. Recently, I read that his usual modus operandi was to campaign for a season before returning home, then repeat the same process the following year – perhaps going a bit further territorially. Surely, this is what he would have done in Asia Minor.

I think the analysis offered in the chapters above shows clearly that Alexander is one of the most overrated figures in world history. The truly great man was Alexander’s father Philip; and credit belongs too to the generals – Antigonus, Ptolemy, Seleucus – who took on the role of governing the lands Alexander had merely marched through and fought battles in, and of turning those lands into viable empire with Greek cities and Greek culture.
(Before & After Alexander, p.302)

Obviously, I disagree that Billows’s analysis succeeds in showing that Alexander was ‘one of the most overrated figures in world history’. His analysis, such as it is, is too one sided and brief to be convincing. However, I do agree that Philip was a great man. For what he did for Macedon he deserves to be called Philip the Great.

Unfortunately, Billows’s book is dedicated to taking the credit away from Alexander for his successes and giving it to Philip for his. Indeed, Billows’s Alexander is not much more than an extension of Philip’s genius; he is not his own man. This is not an accurate way to describe either father or son. Philip II was an excellent general but his greatness comes from the way he rescued and then developed the Macedonian army and state. Alexander’s comes from his military genius. Philip II and Alexander III, therefore, are complimentary figures, not rivals; to see them as such blinds us to the skills and talents of the other.

How much credit can we give Antigonus, Ptolemy and Seleucus? In truth, this is a question I need more time to think about. My first response to it, though, is this:

Antigonus spent most of his time fighting. He founded a few cities but I didn’t get the impression from Billows that he did much more of lasting value than that. I don’t know, therefore, how Billows can criticise Alexander for just fighting and yet be so favourable towards Antigonus. I’ll note here that Antigonus did not found the Antigonid empire in Macedon. The credit for that goes to his grandson Antigonus Gonatas (277 and 272 BC). I wonder if Billows is referring to him? If he is, I don’t know why he is referring to the Antigonus who governed the lands that ‘Alexander… merely marched through and fought battles in…’.

Billows says that Ptolemy and Seleucus deserve credit for turning their kingdoms into ‘viable empires’. Alexander’s empire was equally viable. Even though he died childless, Roxane was pregnant, and the empire would have survived had the generals remained loyal. For various reasons, however, they weren’t. It’s fall, therefore, is as much on them as it is on Alexander.

To stay with this quote, Billows states that, ‘Alexander… merely marched through and fought battles in’ the Persian empire; he did not turn ‘those lands into viable empires with Greek cities and Greek culture.’

There is a sense in which this is correct. Alexander’s main purpose in life was to win glory; to prove himself better than those who came before him (for example, Achilles, Herakles, Cyrus the Great, Semiramis, his own father, etc). He was not primarily interested in establishing Greek cities and culture. He believed in both, however, and so they flourished under him.

We could, perhaps, argue that Alexander is to the Ptolamiac and Seleucid empires what Philip is to Macedon: the founder, the man who paved the way for those who came after him. On a personal note, it is a great shame that Alexander died so young, really only at the end of the first phase of his life’s work. I feel that had he lived longer, we might have seen him develop his kingship to the benefit of Hellenism.

Or maybe he would just have continued fighting. But if he had, he would not have simply marched and fought, marched and fought any more than he did during the first expedition. For while he did not stop nearly often, or long, enough to properly establish Hellenism, we do see him stopping to secure his territory and engaging with his subject people.

For example, in Asia Minor he visits Gordium to see the famous knot; in Egypt, he undertakes a pilgrimage to Siwah; he refuses to let his men loot and pillage many of the places they visit; in India, he goes on a second pilgrimage past Nysa to Mount Meros; in Pasargadae he goes to the tomb of Cyrus the Great to pay his respects.

Often, Alexander had a vested interest in doing some of these things; other times, there was no need. But when we take these actions, and put them together with the knowledge that Alexander also had an abiding interest in literature, and especially philosophy and medicine, we see that there was much more to him that just fighting and marching.

3. Before & After Alexander has a few annoying typos. They don’t detract from the reading but are a nuisance in a book that costs £20.

In conclusion: I would definitely recommend Before & After Alexander to anyone wanting to increase their knowledge of where Alexander came from and where the actions of he and his father ultimately took Hellenism. I can’t recommend the chapter on Alexander himself but it is still worth reading in order to gain an opposite view – which has, after all, been there since Cleitarchus put quill to papyrus – of the man who, for all his faults, is still important enough to have his name in the book’s title rather than his much vaunted father.

Credit Where It’s Due

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Reviewing the Reviewer

No end to Alexander’s talents

As this is my first post of 2019, may I wish you a belated happy New Year. I hope 2019 is a good one for you. It will be an interesting one for me: in two days, I leave my job without another to immediately go to. It will also be an interesting year for Great Britain as on 29th March this year she leaves the European Union. If you follow British politics you will know that the Brexit journey has not been – and continues not to be – a very smooth one. In fact, Brexit has caused such tumult that our national politics are currently about as stable as an ancient Macedonian party.

Recently, a new biography of Alexander came out. Titled Soldier, Priest & God it is an attempt by Professor F. S. Naiden of the University of North Carolina to put Alexander into his religious context. I have been interested in Alexander and his religion for a while now so was delighted to hear about this book. I now have a copy and hope to start reading it soon. In the meantime, what are reviewers saying about it?

I’d like to take a quick look at Benjamin Welton’s review in the New York Review of Books, here. The review does not have the most auspicious beginning. Welton states,

Alexander III of Macedon, better known as Alexander the Great, took a backward Balkan nation and turned it into one of the first multiethnic empires of Western history.

This statement is not entirely correct. When Alexander came to the throne of Macedon in 338 BC, Macedon was not a ‘backward Balkan nation’ but a regional superpower. It was his father, Philip II, who came to the throne of a ‘backward’ country.

Welton states,

Some [historians] have suggested that Alexander may have even been divinely aided, with the Greeks arguing that his father was none other than Zeus.

I would be a little careful with the phrase ‘the Greeks’ here. It suggests that ‘the Greeks’ as a whole argued that Alexander’s father was Zeus, which wasn’t the case.

According to Welton, ‘Naiden notes’ that,

Some scholars (mostly British) have seen Alexander as a proto-Anglican who went through the motions of pagan rituals, but did not take them seriously.

In all the reading I have done on Alexander, I have never seen him compared to an Anglican. Neither have I read any of the sources and got the impression that he was anything other than a devout worshipper of the gods. I hope Naiden expands upon this idea. At this point, though, I’m not altogether impressed by the insinuation that Anglicans have an empty faith. Their communion is, perhaps, too broad, but not so much so that the faith on which it is based is no longer taken seriously.

His companions, who have mostly been remembered as officials, officers, and members of the traveling court of Macedon, were in fact members of an elite circle of priests—a coven, if you will.

If Mr Welton doesn’t mind, I won’t. This gives what is to my mind a false picture of Alexander’s court. Its members may in their own lives have had a priestly function but as soon as you call the court a coven you introduce images and ideas that really have no place there.

I found Welton’s review via the Book Marks website, here. If you click on the link, you’ll find two other reviews mentioned; however, since you need to be subscribed to the relevant websites in order to read them, I will not say anything more about them here.

Credit Where It’s Due
The image above comes from Book Mark’s website.

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Two Women, One King and Belonging

A week ago, I went to see Disobedience at my local cinema. Directed by Sebastián Lelio, the film stars Rachel Weisz as Ronit Krushka, a British born photographer working in New York who returns home following the death of her father, Rav Krushka.

The Rav* was an Orthodox Jew, much loved and very influential within his community. Ronit, however, is almost persona non grata. Several years earlier her father caught her in flagrante with another woman – her friend, Esti. As a result, Ronit left the community. When she returns, she is barely welcomed, though not spurned. Tolerated about sums it up.

One of the themes of the film is that of belonging. We could ask of Ronit, where does she belong? To whom? Why? But I think the questions apply more to Esti. For her, finding answers is of the uttermost importance: they will define her life, health and happiness. Esti is a lesbian. Her husband Dovid is a good man but she only married him because she had to. She is not happy – it’s why she contacted Ronit to let her know that her father had died (no one else in the community chose to do so). If she doesn’t find answers to the questions that are within her, the rest of her life will potentially be a long defeat to a way of living she does not believe in.

As soon as I started thinking about the idea of belonging, I started thinking about Alexander.

As an Argead prince, Alexander lived at the centre of Macedonian society. He did not, however, enjoy a stable life. He could have been killed in battle at the age of sixteen; his mother, Olympias, loved him, but had things turned out differently, he could have fallen victim to her schemes at any time up until becoming king – and after; he was a target for assassination from others as well; he was for a time forced into exile by his father. Alexander lived in a palace, but that palace was built on a cliff edge. He lived at the centre of Macedonian society, but it ran along a fault line that could have killed him in an instant.

Nothing changed when Alexander became king. For though he was now the most powerful man in Macedonian society, his power depended upon the support of the army. He was now under increased threat from assassination and death in combat. He had to be careful about how he treated people lest he alienate not just individuals but whole sections of his empire.

As Crown Prince no one except the king belonged to Macedon more deeply than Alexander. Thus, when Alexander succeeded to the throne, he – in his very person – became its centre.

However, thanks to the type of society that he belonged to, no one belonged to it less than him. Those under Alexander could afford to be fully themselves. He could not. He tried to be, but failed; he kept trying, and suffered two revolts by his army as a result.

Of course, Alexander didn’t help matters by encouraging people not to see him as one of them. I refer here to his ‘claim’ of divinity. But in a way, that was the most heroic thing he ever did. He could have not gone to Siwah. He could have used any number of other – far safer – methods to keep the support of those under him. Instead, he chose the most dangerous option of all. There is a certain heroism in that even if Alexander was acting cynically.

By and by, I think it is this same desire – to be (herself) rather than to simply belong – that causes Esti to pick up the telephone and call Ronit at the start of Disobedience. It would have been the easiest and safest decision not to call the only person she ever loved. After all, she enjoys teaching, has a good husband, and is a faithful Jew. But as it turns out, these are only roles; they are not her. What is she? As mentioned, she is a lesbian. To be herself, to know herself, she needs the freedom to explore what that means. At the end of the film, and to his immense credit, Dovid gives her that freedom.

In modern terms, Esti is a far nobler person than Alexander. Hers is a spirit of generosity; of giving: to Ronit in their first (and second) affair; to her community, and to her husband, despite the pain it causes her; to her unborn child: the ability to decide where they belong. By contrast, Alexander’s spirit was dominated by a selfish desire for glory. He wanted to be the noblest person alive, the strongest and greatest; true this led him to do good things as well as bad but to want glory for oneself is still essentially a selfish desire. God, however, had the last laugh. After Alexander died, his desire for glory led to a coming together of cultures and civilisations that might never have joined otherwise, causing them to bear new fruit. Think of Greek art in the Indian sub-continent and the spread of the Greek language and the way it helped disseminate Greek ideas (and, of course, Jewish/Christian ones).

Disobedience has a similarly unexpected ending. Orthodox Judaism does not come across very well in the film. While not treated as the bad guy, so’s to speak, it is still what exiled Ronit and wants to keep her and Esti apart. However, at the end of the film, when Dovid gives Esti her freedom (i.e. divorces her), he does so in the synagogue while continuing the homily that the Rav started before his death. Esti’s future ability to be herself, therefore, and her child’s ability to decide where it belongs, comes from within the faith rather than from outside it. Granted that the film is a work of fiction, but unless Dovid’s homily is completely heretical, it shows that even a religion so seemingly set in its ways can bear new fruit. God is certainly not daunted by difficult situations!

*After watching the film I looked up ‘Rav’ on the internet and found that it is a title, meaning teacher, rather than a name. We don’t learn the Rav’s first name during the course of the film


WordPress tells me that this post is my 500th for The Second Achilles. I’m very happy that I’ve been able to spend it writing about Alexander and a very thought provoking film

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One Story, Different Interpretations

I have recently finished two Alexander related books – The Nature of Alexander the Great by Mary Renault, and Alexander the Great: A Very Short Introduction by Hugh Bowden.

The Nature of Alexander of the Great took me several months to read; that, however, was due to my own tardiness rather than any failing with the book. The Nature is an easy-to-read run through of Alexander’s life with interesting insights sprinkled throughout. If anything makes the book stand out it is that Renault is very positive towards Alexander’s general, Hephaestion. Her comments are a very good alternative to the negative views of historians like Peter Green and Waldemar Heckel.


Alexander the Great: A Very Short Introduction is just that; it is a quick dive into the life of Alexander using not just the Alexander historians but other sources as well – coins, inscriptions, and so forth.

What I most liked about Hugh Bowden’s book is his reminder that the real Alexander is an enigma to us. We may think we know a lot about him but we have to remember that the sources we are using, whether they wrote in Greek or Latin, were Roman citizens, and were writing for a Roman audience. That shaped how they wrote about Alexander (Bear in mind as well that when Ptolemy et al wrote their histories or memoirs that also shaped what they said and how they said it).

Bowden is not afraid to challenge our preconceptions of Alexander and the events of his life. For example, he suggests that Alexander did not found Alexandria (except, perhaps, as a fort) and that there was no revolt at the Hyphasis river.

Whether or not one agrees with Bowden’s assertions or suggestions, Alexander the Great: A Very Short Introduction is very well worth having – if not quite for reference then definitely for dipping into from time to time and having a conversation with the author about what he is saying.

Both images are from Amazon (UK)

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