Television

Versions of Cleopatra

Personal
A belated Happy Easter! 

This time last week, I let my diet go for the day and tucked into my Easter Egg. Happiness was mine. Ironically, I was even happier on Monday after resuming my more sensible eating regime. How could it be? Well, in the six or so months since I started watching the calories alongside doing my daily exercise (which I have been able to do more and more of following my hip operation in November) I have lost over two stone. I like my selfies more these days, and appreciate no longer filling out my shirts when I put them on.

The Post That Got Away
But that’s enough of me, what about Alexander the Great? Well, I should first apologise for not posting anything last week. I did mean to, and began writing a post, but I started it too late in the day to finish. Despite thinking about it a lot during the week, the moment had gone and I never picked it up again.

Elizabeth Taylor as Cleopatra in the film of the same name (1963)

Queen Cleopatra
Late last week, Google Alerts notified me of two interesting projects coming to Netflix. The first, which will start streaming on 10th May, is a docu-drama about Cleopatra VII. It is titled Queen Cleopatra. The second is a docu-series about Alexander himself.

Over the last few weeks, I have tried to keep my Alexander Facebook page active by posting to it every Friday. Two days ago, however, I knew that if I posted about Queen Cleopatra some people would get annoyed. Why? Because the actress (Adele James) playing her is black, and there is no evidence in the historical record for this being Cleopatra’s ethnicity. I tried to circumvent this by referencing in my post how it would make people angry. I thought that if I highlighted this possible response it might make people think twice before being so predictable. Of course, it didn’t work; though I am pleased to say that I have not yet had to warn anyone about their behaviour or ban them*.

If you would like to read the post and its replies, you can do so here. My view of the Queen Cleopatra docu-series was and remains this: if the filmmakers chose Adele James to play the last Ptolemaic queen because they felt simply that she was the best person for the role or they wanted to use Cleopatra’s story to say something, for example, about the world today, fine. Actually, that’s laudable. If they chose her because they think Cleopatra was black, however, then potentially we have a problem - for the reason mentioned above.

The Queen Cleopatra trailer appears to reveal the filmmakers’ position. You can watch it on YouTube here. It is that they think Cleopatra was indeed black (or, as it is written in American-English, Black). Now, that’s not very encouraging. However, we must be cautious - and charitable. It’s in the nature of trailers to be spicy so as to get you to watch the film or programme. Perhaps Queen Cleopatra itself will be more nuanced: for every person who says, ‘Cleopatra was this’, there will be another to say, ‘Actually, she was that.’

* in between writing this post and publishing it I did have to warn someone. Oh well. Two days was a good run

Adele James as Cleopatra in Queen Cleopatra (2023)

A Look at the Trailer
I’d like to highlight a few points in the trailer that I disagree with or which have made me think. 

Firstly, (0:04) the narrator states, ‘There was a time long ago when women ruled with unparalleled power.’ I would very much like to know when that was. It certainly wasn’t in first century BC Egypt. 

Secondly, a talking head tells us (0:44) that Julius Caesar wanted ‘to be king to Cleopatra’s queen’. Well, Caesar certainly behaved like he wanted to be a king but I have to say I have a hard time believing that he ever saw Cleopatra as his equal, which sounds like the implication here.

Thirdly, Cleopatra is made to say (0:55), ‘There is no Rome without Egypt’. Actually, this line is quite intriguing. My first reaction was to dismiss it: By the time Julius Caesar came knocking on Cleopatra’s door, Rome was by far the more powerful state. However, I am aware that Egypt provided a lot, if not most of, Rome’s grain. It therefore was a country of vital importance to the latter’s well-being. Unfortunately, I don’t know when Rome’s reliance (if such it was) on Egypt’s grain began. Maybe it was before Cleopatra’s time, hence her confidence. Either way, there’s nothing wrong with showing Cleopatra being proud. Rome was a whippersnapper compared to Egypt, after all.

Fourthly, and here we come back to Cleopatra’s ethnicity. A talking head states (1:22), ‘it’s possible she was an Egyptian’. I mean, in that she was born in Egypt she certainly was. But that is probably not what they mean as another talking head (1:27) adds, ‘I remember my grandmother saying to me, “I don’t care what they tell you in school, Cleopatra was Black.”‘ I bow to no one in my love of grandmothers and their wisdom. However, even I know not to take everything they say as gospel. As I mentioned above, there is simply no evidence to support this grandmother’s view. If Queen Cleopatra acknowledges this, the programme will be doing its work well; if it doesn’t, it will, to paraphrase Mr Knightly, have done badly.

Related Material
When I read my Google Alerts, I did a search to see if I could find any more info about Cleopatra’s ethnicity - preferably from a reputable source. In doing so, I came across this article on the Oxford University Press’s website. I like its headline: Cleopatra’s true racial background (and does it matter?) In a way, it doesn’t matter at all but it certainly does if someone takes a position for which there is no justification.

To Watch or Not?
So, will I watch Queen Cleopatra? Of course! And for the reason I mentioned above about trailers purposefully being ‘spicy’. The only way to find out what the programme is really saying is to watch it. I admit I am not very confident but that’s irrelevant. Fairness demands a viewing.

Alexander @ Netflix
As I mentioned above, Netflix are also making a series about Alexander. You can read about it here. Please try to forgive Deadline’s faux pas in calling ancient Macedonia a city. They are but a humble entertainment website and cannot be expected to be able to research basic facts. More seriously, though, Netflix have a big job on their hands if they are going to improve upon, say, Michael Wood’s In the Footsteps of Alexander the Great.

Thinking Aloud
How does someone mistake a country for a city, anyway? To be fair, the writer is probably thinking of the Greek city-states. And if he is rushing to finish his article, he may forget to double check that what applies to the rest of ancient Greece also applies to Macedon. It is a bad mistake to make but an easy one. To quote Warnie Lewis in Shadowlands, ‘there it is’ so let’s move on.

To Conclude
These are my thoughts. Please feel free to let me know yours. One thing that has occurred to me in the writing of this post is that the OUP article I linked to was written in 2010. I wonder if any new evidence about Cleopatra’s ethnicity has come to light since then. If you know of any, please do mention it!

PS
One last thing: This blog has had the same travel theme since I created it over ten years ago. I’m thinking about replacing it. If you know of any other WordPress themes that might suit The Second Achilles, I’d love to hear your suggestions.

Lyndsey Marshal as Cleopatra in Rome (2007)

Visions of Cleopatra
Credits
Elizabeth Taylor - The Guardian
Adele James - CAM (Creative Artists Management)
Lyndsey Marshal - HBO

Categories: Alexander in Film, On Alexander, Television | Tags: , , , , , | 3 Comments

Troy: Fall of a City pt. II ‘Conditions’

If Episode One of Troy: Fall of a City was ordinary then Episode Two was - no, not quite extraordinary, but certainly a lot more enjoyable.

To be fair, enjoyable is probably not the best word to use. Actually, it definitely isn’t. ‘Conditions’ was better because of the tension that arrived with the decision of the Greeks to demand Helen’s return to Menelaus.

That tension was based on one particularly awful scene.

The pan-Hellenic army is stranded on the shore. The priest performs sacrifices to gain the gods’ favour and the wind that will take them to Troy only to be informed by Artemis that their request will only be granted if Agamemnon sacrifices his daughter, Iphigenia. The tension that came with this news was palpable. The writer, David Farr, and actors - particularly Johnny Harris as Agamemnon - have to be congratulated for their work in bringing it alive

***

It’s hard to top a scene involving human sacrifice but Conditions did well with the Trojan reaction to Helen’s arrival. Anger and confusion; vacillation and determination - especially from Priam - this made him look rather wishy-washy but I actually quite liked that approach to his character; it made him more real. This, of course, fits in with the ‘ordinary’ approach to the series - a quiet resolve from Paris and not just regret but desire to make things right from Helen.

Unfortunately for her, she can’t. When the Greeks met Priam they no not only wanted Helen back but, as reparation for the insult given to Menelaus, control of the Dardanelles as well. It started with a woman and will end with politics and economics. How very ancient and modern.

Speaking of which, it did occur to me while watching the episode that this representation of the Trojan War had more than a touch of the First World War about it. Helen, like Archduke Franz Ferdinand, was not the reason for the war, just the excuse. Bigger issues involving politics were at play. Odysseus ordering the Greeks to dig trenches (in preparation for a long siege) also brought the Great War to mind.

Two scenes really stuck out for me in this episode. One was Iphigenia’s death and the other the first clash between the Greeks and Trojans; specifically, the moment when Athena, Aphrodite and, I think Hera as well, walk among the soldiers selecting their favourite soldiers. The dialogue was, perhaps, a little cheesy but I liked this integration of the gods into the story.

***

Achilles Watch
The man finally appeared! He didn’t say much, but looked mean and determined. He killed someone at the end but only by throwing a spear through their head. Impressive, but Achilles fights up close not at a distance. We have yet to see his rage. Or, for that matter, Patroclus.

Credit Where It’s Due
Aphrodite (Lex King) Walks Among the Trojan Soldiers: Digital Spy

  • This Episode of Troy: Fall of a City is available on the BBC website at iPlayer here for two months after the time of this blog post
Categories: Homer, Television | Tags: , | Leave a comment

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